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June 2009

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OVERVIEW OF STORY STRUCTURE

 

1. SET-UP

  • Introduce characters and setting as briefly as possible
  • Tells the audience just enough so that the inciting incident has full impact, no more


2. INCITING INCIDENT

  • The event without which the rest of the story wouldn't happen.
  • It upsets the balance of the protagonist's life
  • It arouses protagonist's desire for something that will set things right.
  • It raises the dramatic question in the audience's mind
  • It leads the audience to expect a crisis that is directly related to the inciting incident (the scene the audience is led to expect is called the “obligatory scene”)


3. PROGRESSIVE COMPLICATIONS

  • A series of conflict-filled events that makes life more and more difficult for the characters.
  • Includes at least three major reversals (the third may be the crisis)
  • In longer plays, may include subplots

 
4. CRISIS

  • Brings protagonist and antagonist face to face
  • Forces protagonist to choose the lesser of two evils or between two irreconcilable goods
  • Crisis means decision.
  • Crisis is the obligatory scene


5. CLIMAX

  • The action the protagonist choose to take when under the ultimate pressure of the crisis
  • This action should be full of meaning

 
6. RESOLUTION

  • Shows the spread of the effects of the climax throughout the world of the story
  • Ties up subplots if necessary
  • Allows audience to recover its composure

 

 

 
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